Naoshima

The Origins of Naoshima IslandBefore Naoshima gained international recognition as an “art island,” this island in Japan's Seto Inland Sea was shaped for centuries by fishing and a quiet, rural way of life. Its history stretches far back, with traces of human settlement indicating prehistoric times. Local communities traditionally subsisted on the rich marine resources and modest agriculture. You can still find charming, traditional fishing villages here, whose narrow alleys and old wooden houses contrast with the modern art scene and offer a glimpse into earlier island life.The Transformation into an Art IslandNaoshima's modern cultural history began in the late 20th century with the vision of the Benesse Corporation. The company, under the leadership of Tetsuhiko Fukutake and later his son Soichiro Fukutake, launched an ambitious project to establish the island as a place for art and dialogue between people, nature, and art. This initiative led to a unique symbiosis of landscape, architecture, and contemporary art that defines Naoshima today.Benesse House Museum: Opened in 1992 and designed by renowned architect Tadao Ando, it is a combination of hotel and museum, integrating artworks both indoors and outdoors.Chichu Art Museum: Also conceived by Tadao Ando and opened in 2004, this museum is built almost entirely underground to avoid impacting the natural landscape. It houses works by artists such as Claude Monet, Walter De Maria, and James Turrell.Art House Project: Initiated in 1998, this project transformed several vacant traditional houses and sites in Honmura village into art installations, respecting the historical building fabric.Lee Ufan Museum: Another work by Tadao Ando, opened in 2010 and dedicated to the work of Korean artist Lee Ufan, who belongs to the Mono-ha movement.Integration of Art and CommunityNaoshima's development into an art island is an ongoing process that involves the local population and their traditions. Art is not only exhibited in museums but also present in public spaces and restored village houses, thereby bridging modern art tourism and original island life. This approach allows you to not only experience art but also feel the authenticity of a Japanese island community that is undergoing change and redefining its identity.

Naoshima, an island of art, is best explored at a relaxed pace. There's no subway or tram here, but the public island bus connects the ferry terminals of Miyanoura and Honmura with the museum area. You pay the fare on the bus; have small change ready, as not every mode of transport on the island accepts IC cards. For maximum flexibility, renting a bicycle is recommended, especially an e-bike, to effortlessly conquer the hilly routes. Rental stations can be found primarily near Miyanoura Port.Taxis are very limited on the island, and ride-sharing services play hardly any role. Smaller areas like the Art House Project in Honmura can be explored well on foot, but the distances between the main attractions are often too great for walkers. Plan your routes in advance, especially if you need to catch a specific ferry.